![]() ![]() Attack, build some new forces or move to new crystals - it's up to you. As you move, you'll uncover enemy positions, and from there, you can do what you want with the info. You'll be able to see the crystals on the map even if that area is dark, but you'll never know if the enemy has control of it. See, the map's going to be dark everywhere that you don't have troops. To do this you'll choose a fairy - or all the fairies - by selecting one of 'em and then pressing up on the D-pad and move the attacker(s) to different parts of the map. What now? Although each level will detail its own win conditions, most are simply to destroy your enemy's runes. For argument's sake, let's say you've harvested a bunch of mana and bought the most fairies you could with the mana. ![]() They'll harvest the dough, bring it to the closest rune and you'll have the assets you need to build your army. To harvest mana, you'll need to send workers - the elves in our scenario - to the crystals around the map. To do that, you'll need mana, which is basically money that you can use to create forces. There's going to be a lot of bad guys out there, and you need to amass an army. ![]() You could run out and attack the bad guys with your two fairies, but that'd be dumb. Now, only your fairies are capable of attacking. So lets run you though a simple battle: you start on a large map broken into levels with two elves, two fairies and a Fairy Ring (a rune, or creation point, from the Glamour category). Keeping up so far? This is Grim 101, and I don't want to stick you with the remedial kids in Hogwarts right off the bat. As the game goes on, you'll get new grimoires and unlock new spells in the books you already have. You'll need to use the stronger magic to best whatever your opponent brings to the battlefield - this is where the strategy comes in. Necromancy is gangbusters against Sorcery, but it's weak as wet toilet paper against Glamour. Each category has a magic it can kick the crap out of and another magic that can kick the crap out of it. See, these magic books exists in a unique relationship. Lillet will need to know the spells from each of the twelve books to best the black cats, dragons and ghosts she'll face in the halls of the school. There are three grimoires for each category of magic. With each run through the work week, Lillet amasses more grimoires, the books that contain the spells for the aforementioned categories of magic, and becomes a stronger magician who can stand a chance with the big bad guys in the game. ![]() She is a bit chubby and has a dark gray book for a cutie mark.What's Lillet to do? Why, fix things Bill Murray-style of course! Doing her best Groundhog Day impression, Lillet keeps on reliving her first five days at the school and trying to make different decisions to keep the archmage and another baddie named Grimlet at bay. Grim Grimoire is a unicorn with a small horn, light gray-ish coat, topped off with a purple and dark gray mane that covers her eyes, as well with a purple and dark gray tail. She can even use her magic to feel the letters in a book, making her able to read some of them. That being said she can kind of echo locate using her magic, feeling stuff that is around her. Completely blind! She doesn't need her eyes, hence why she always has her hair in frond of them. She studies ghosty phenomenons and horrific stuff, she finds this to be a fascinating hobby. Grim Grimoire is a unicorn that lives in Ponyville right next to the dark woods of Everfree, she doesn't get out much nor is she the most social pony, she is every drawn back due to her studies. ![]()
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Helpfulness: Clean Up Kiddie Corner Cabins: You need to complete the repeatable quest Operation Tide given by Scout Leader Pompy at the Kiddie Corner Cabins.Kindness: Revive an Ally: You need to revive another player with a Stimpak.In the course of the quest, you’ll need to demonstrate Pioneer Scout Values which are Kindness, Helpfulness, Bravery, and Growth. But going directly to and interacting with Scout Leader Jaggy will also start the quest! When you’re lucky, you’ll find one in another player’s C.A.M.P. Most of the posters got removed since then to make room for other ones. You could read them to start The Order of the Tadpole quest that would lead you to Scout Leader Jaggy. □ Back when the quest was introduced, there were Pioneer Scouts Recruiting Posters hanging in every train station. Scout Leader Jaggy is located near the Pioneer Scouts Knowledge Exams shack. Speak to Scout Leader Jaggy at the Pioneer Scout Camp (Toxic Valley) to start the quest. You’ll also be able to craft Standard Backpacks after finishing the quest. You’ll get a Pioneer Scout: Tadpole Backpack upon completing the side quest The Order of the Tadpole. The Standard Backpack was added to Fallout 76 with the “Ever Upwards!” Wild Appalachia update on May 7, 2019. Small Backpacks can be crafted at an Armor Workbench and be equipped with all the same Mods as a Standard Backpack. The base Carry Weight of the Small Backpack increases at higher levels, up to +30 Carry Weight at level 50. Small Backpacks look the same as Standard Backpacks but only have 50% of the carry capacity provided by a Standard Backpack. Note that this plan cannot be traded, sold, or dropped. Inside you’ll not only meet Dontrelle Haines but also find the Overseer’s Cache containing the plan for the Small Backpack. Behind the crashed vertibird, there’s a Responder Command Post. When you’ve entered the second floor, cross the waiting area. ![]() Behind the door on the other side of the room, you’ll find a Responder corpse sitting on a chair holding the keycard. When you’ve found the door leading to the second floor, turn around and go down the stairs to the basement. To access the second floor, you’ll need a Morgantown Airport Security Keycard. Plan: Small Backpack is located in the Morgantown Airport Terminal. ![]() ![]() It is truly a better book because of their advice. The second reader remains anonymous to me, but I hope that he or she knows how grateful I am for the helpful comments about how to make my book more accessible. The first, David Lurie, shared characteristically knowledgeable advice on points both big and small from what must have been a remarkably thorough reading. The two external readers went above and beyond viiĮxpectations, providing detailed and erudite feedback. My senpai, Asuka Sango, also read the entire manuscript and gave suggestions that helped clarify my thinking and saved me from numerous embarrassments. Robert Campany offered comments on each and e very chapter he has been the most generous senior colleague imaginable. These teachers laid the foundation for d oing research, but this proj ect would never have become a book without the generous feedback I received from a number of readers. He sponsored a very productive year at Ōtani University, allowed me to participate in his Shōsōin seminar, and helped me gain access to manuscripts at Ōtani. Miyazaki Kenji has also been a strong supporter of my work. I would like to especially thank Sakaehara Towao, who graciously allowed me to audit his seminar but has also done so much more than that: inviting me into his home, giving me dozens of volumes, helping me secure permission for some of the images in this book, and introducing me to scholars. In Japan, I was similarly blessed with caring teachers who patiently taught me how to carefully read Shōsōin documents among other lessons. I’m grateful that Bill Waldron first got me started in Buddhist studies. I benefited from formal and informal instruction at Princeton by Martin Collcutt, Funayama Toru (during his semester t here), John Gager, Jonathan Gold, Tom Hare, Susan Naquin, Keiko Ono, Jeff Stout, and Andrew Watsky. I had the pleasure to work closely with Buzzy Teiser, whose common interests in manuscript and liturgical cultures, shared methodological sensibilities, and generous nature have led to innumerable stimulating conversations that continue to the present day. More than anyone, Jackie Stone, my graduate advisor, has been a constant source of support and remains the paragon for scholarly rigor that I aspire to. First, I have been fortunate to study with g reat teachers, who challenged me and provided a model for what a scholar should be. Despite the constant aid and encouragement of more individuals than I can possibly thank, I am sure that many mistakes remain I take full responsibility for all of them. Completing a book has made this lesson all the more tangible. A central one is that writing is an inherently social endeavor. This book makes a number of arguments about writing. Disciplinary RegimesĪppendix: Names of the Kōmyōshi/Tōdaiji Scriptorium Bibliography Index University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources.Īcknowledgments Abbreviations Conventions Introduction In association with the University of Hawai‘i Press, the Institute also publishes Classics in East Asian Buddhism, a series devoted to the translation of significant texts in the East Asian Buddhist tradition. ![]() One of its primary objectives is to promote scholarship on the historical, philosophical, and cultural ramifications of Buddhism. The Kuroda Institute for the Study of Buddhism and Human Values is a nonprofit, educational corporation founded in 1976. ![]() Classification: LCC BQ1136.C | DDC 294.3/820952-dc23 LC record available at This publication is made possible in part by the Barr Ferree Foundation Fund for Publications, Department of Art and Archaeology, Princeton University. | Transmission of texts- Japan-History. paper) Subjects: LCSH: Tripiṭaka-Copying. ![]() Description: Honolulu : University of Hawai‘i Press, | Series: Studies in East Asian Buddhism 27 | “A Kuroda Institute book.” | Includes bibliographical references and index. Other titles: Studies in East Asian Buddhism no. 27. Title: Ritualized writing : Buddhist practice and scriptural cultures in ancient Japan / Bryan D. Library of Congress Cataloging-in-Publication Data Names: Lowe, Bryan D., author. Ritualized Writing BUDDHIST PRACTICE AND SCRIPTURAL CULTURES IN ANCIENT JAPANĪ K uroda I nstitute B ook University of Hawai‘i Press Honolulu ![]() ![]() ![]() ‘We need to be able to forecast solar flare occurrence and the propagation of solar energetic particles in interplanetary space so we can estimate the levels of radiation,’ said Prof. They race through space with such speed that astronauts caught in their path would have little chance of escaping unharmed. Solar energetic particles are surges of intense particle radiation that come from sudden eruptions, or solar flares, on the sun's surface. Daglis, a space radiation expert from the University of Athens, Greece. ![]() ‘Solar energetic particles are the biggest headache to any manned mission to anywhere,’ said Professor Ioannis A. If we realise this project in the 2030s, or earlier, this will be comparable to the Apollo missions or the ISS.’Įven with faster engines, however, extended radiation exposure would remain a critical threat to astronauts’ health. ‘The project is a technology study for different missions. ‘NEP is really the only viable method that can deliver a heavy spacecraft to the outer moons of Jupiter.’ĭr Frank Jansen, senior scientist at the German Aerospace Center (DLR) who is also working on DEMOCRITOS, agrees. ‘Nuclear Electric Propulsion can get to Mars faster than other methods, if the reactor is powerful enough.’ Frédéric Masson, National Centre for Space, France While DEMOCRITOS is not working on developing the technology to such an extent that it could be used for a manned mission to Mars, project coordinator Dr Emmanouil Detsis from the European Science Foundation says the technology could offer capabilities for other missions. ‘You can make our designs bigger and more powerful very easily, there is no change in the technology.’ ‘It is more efficient and safer to send people to Mars with one spacecraft,’ said Masson. Some solutions are to send the fuel separately or to generate it on Mars, but the most secure option is to bring the return propellant with you, which an NEP spacecraft can do. Scientists are still working out how to ensure a spacecraft has enough chemical propulsion to get back into space from the planet’s surface. It would also help to address a major challenge in a crewed mission to Mars – getting home. Thank to its fuel-efficiency, the lower weight-to-capacity ratio of an NEP-powered spacecraft means there would also be more room available for scientific instruments and plants that provide a food source for the astronauts, even compared to other emerging alternatives such as solar cells. ![]() This would most likely be made from graphite as it’s mechanically strong and able to withstand high temperatures. He says that using nuclear energy to power spacecraft is safe because the reactor would be contained in a protective shell. Masson is working on the EU-funded DEMOCRITOS project that aims to improve the scientific understanding of NEP propulsion so that a demonstrator can be developed. However using NEP to get to Mars is some way off, as the technology is still at an early stage. It is one of the most promising technologies for space exploration as it’s cost-effective and has a much greater fuel-efficiency than classic chemical propulsion meaning there is no need to carry large amounts of rocket fuel. NEP works by changing nuclear thermal energy into electrical energy which then powers a propulsion system. ‘Nuclear Electric Propulsion (NEP) can get to Mars faster than other methods, if the reactor is powerful enough.’ ‘It would take six months with classic chemical propulsion (hydrogen and oxygen fuel),’ said Frédéric Masson from France’s National Centre for Space. Now European researchers are addressing these problems by developing faster engines, solar forecasts and better shielding.Īccording to the European Space Agency (ESA), radiation levels are up to 15 times higher in space than on earth, so for astronauts to avoid excessive exposure while travelling to Mars, they will need to get there as fast as possible. ![]() ![]() Click “Add audio” or hit the up-facing arrow to select one of two other options.Ĭlick the scissors icon to set the soundtrack duration manually or with the help of slidebars. When the shooting is fine and ready, add music. Tick the box “Crossfade” to make your visual look more skillful. Mind that all the images have the same duration. This setting will be applied to pictures only, GIFs and videos will stay as they are. If you are going to share your clip on social media, choose the corresponding aspect ratio preset: Instagram, Story, YouTube or Facebook. Alternatively, click “Add more files” on the right side and use the ways from the first step.įit the frame with borders or crop it. Import a picture from your Dropbox cloud storage account.Īdd more images if needed by dragging them to the timeline below the player.Import a picture from your Google Drive cloud storage account.To use content stored online, call the drop-down menu and choose one of the two options: To select one or several files from your personal device, click the big blue button. How to create a video out of an image sequence Too good to be true? Not at all! Stay tuned and find out how to use our free tool. It is compatible with all the devices, be it Windows, Mac, Android or iOS. The Image Sequence to Video Converter works online and doesn’t require any additional programs, add-ons, plugins or apps. Our Video Maker is developed to compile clips out of GIFs, videos and photos in any combinations, so it fits your aim perfectly. Give them some quality content to enjoy! To join a “vloggers’ club” you don’t even have to shoot a professional video, an image sequence with a gripping soundtrack will come in handy. ![]() The naked truth: an average person spends at least 2 hours daily watching videos on YouTube and other social media. An easy way to turn image sequence into a video ![]() ![]() ![]() Cryme Tyme (także Crime Time) – był tag teamem w wrestlingu tworzonym przez Shada Gasparda i Jaysona Paula (występującego pod pseudonimem JTG) od 2006 do 2020.Il team si è riunito nel 2014, fino alla morte di Gaspard, nel 2020. Il duo era noto maggiormente per i suoi trascorsi nella World Wrestling Entertainment tra il 2006 e il 2010. Cryme Time è stato un tag team di wrestling formato da JTG e Shad Gaspard.À la suite du renvoi de Shad en septembre 2010 et de celui de JTG en juin 2014, le duo décide de se reformer et de concourir sur le circuit indépendant. Les deux hommes effectuent leur retour à la WWE en mars 2008. Toutefois, l'année suivante, ils sont tous deux renvoyés la suite d'une altercation entre Shad Gaspard et Trevor Murdoch. Ils rejoignent par la suite la World Wrestling Entertainment (WWE) en septembre 2006, où ils changent de nom pour devenir Cryme Tyme. L'équipe se forme début 2006 à l'Ohio Valley Wrestling où les deux hommes remportent, à deux reprises, le championnat par équipe de cette fédération sous le nom de Shad Gaspard et The Neighborhoodie. Cryme Tyme est une équipe de catcheurs composé de JTG et de Shad Gaspard.El equipo fue una parodia subida-de-tono de matones callejeros, en inglés, street thugs. (es) ![]() ![]() Ambos comenzaron su carrera dentro de la empresa WWE, además de también trabajar dentro del circuito independiente. Cryme Tyme fue un equipo de lucha libre profesional formado por JTG y Shad Gaspard.The tag team first disbanded in 2010, though reunited in 2014 and continued wrestling until Gaspard's death in May 2020. The team was an over-the-top parody of stereotypical street thugs. Cryme Tyme was an American professional wrestling tag team consisting of JTG and Shad Gaspard, best known for their tenure in WWE. ![]() ![]() ![]() In addition expect regular free updates during the season, including new singleplayer challenges, multiplayer maps and more to look forward to.Ĭonquer resource points, build your base and place fortifications to protect your unit production and research. Choose from a vast selection of skirmish maps and challenge maps, available to play in singleplayer and coop. Configure your personal game interface and choose your favourite input controls.Ĭompetitive multiplayer with ladders, ranked matches & leagues. Setup skirmish and multiplayer matches any way you want. Team-up with a friend and master all campaigns side-by-side in co-op.Ĭommand three diverse factions with over 40 unit types and 9 heroes with unique abilities. Join nine charismatic heroes and their beastly companions in their adventures across Europe. ![]() Lots of them.Įxperience an epic overarching story, spanning more than 20 missions over three campaigns. Take your time to come up with a plan which allows for a wide range of tactics, including a stealth approach. Iron Harvest is a real-time strategy game (RTS) set in the alternate reality of 1920+, just after the end of the Great War. Lead dozens of different unit types into battle, carefully utilize cover and blast entire buildings to shreds. Secret forces are putting everything they can towards destabilization of entire countries, determined to set the world on fire once again and finally seize control. In the midst of this chaos, a new threat appears that will put Europe’s very existence at risk. To celebrate the one-year anniversary of Iron Harvest, KING Art Games is happy to announce the Iron Harvest Complete Edition, releasing on Octofor PlayStation 5 and Xbox Series XS at. Farmers are uncovering the remains of the majestic walking machines that had fought on the battlefields of the Great War. Cities are being rebuilt and in the countryside, the era of the Iron Harvest has begun. Tradition clashes with scientific and technological progress, while Europe is still recovering from the brutal battles of the World War. Iron Harvest was announced all the way back in 2016 and was originally set to come to PS4 on September 1 this year. ![]() The Game lets you control giant dieselpunk mechs, combining epic singleplayer and coop campaigns as well as skirmishes with intense action on the battlefield for multiplayer fans, Iron Harvest is the classic real-time strategy game fans have been waiting for. when trouble comes, the harvest of long Union has in truth made of. Iron Harvest is a real-time strategy game (RTS) set in the alternate reality of 1920+, just after the end of the Great War. I saw the gameplay trailers PsychoWolfX posted yesterday, looks good. 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By 1997, the series was approved for serialization in Weekly Shonen Jump. Oda Art (EiichirOdaArt) Twitter Oda Art EiichirOdaArt All art belongs to Eiichiro Oda ( EiichiroStaff) Illustrator of Monsters (1994), Romance Dawn (1996) and One Piece (1997 - ). Eiichiro Oda/Shueisha, Toei Animation Oda announced he was taking a one month break from the manga in June, with the series going on a brief hiatus from June 25. While some were skeptical of the concept, Oda continued to push for the idea. Eiichiro Oda had taken the opportunity to show off the new character that is set to be added to the world of the Grand Line via One Piece: Odyssey, with the mangaka having a heavy hand in creating. The concept was approved for further development and was published in the Shonen Jump Summer Special.Īfter the success of Romance Dawn, he created a second draft within two weeks. a new video series I'm trying out where ill look at some art styles that I personally like and try to deconstruct them here's the link to the website where I. Called Romance Dawn, it was an idea he had about pirates since high school. Oda decided he would do a “last resort” draft. The latest Tweets from Oda Art (EiichirOdaArt). At the time, Watsuki was one of Shonen Jump’s most popular creators but Oda also was dealing with rejections of his own concepts throughout this stage in his career. A Twitter video from One Piece's Japanese Twitter account breaks down the artistic process behind creating the cover art of Eiichiro Oda's beloved manga One Piece. Oda began his final assistant tenure under Nobuhiro Watsuki working on Rurouni Kenshin. 3 - LION by Eiichiro Oda and a great selection of related books, art and collectibles available now at. How did Eiichiro Oda come up with One Piece? ![]() ![]() He then spent 18 months assisting Masaya Tokuhiro during the last year of Jungle King Tar-chan, helping him develop a technique for creating backgrounds. This included being an assistant for the last few chapters of Midoriyama Police Gang, something that inspired his work. Oda drawing the Chapter 1006 colorspread king the wildfire 203 notes Kaidos and Yamatos devil fruit illustration in One Piece Magazine 13. ![]() Oda started his professional career as an assistant for Shonen Jump creators. ![]() |
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